"Michael had to learn different punches and different steps to make sure he was in the right place at the right time."Īny film aficionado will instantly know what you mean when you utter the words: 'Copa shot.'Īrguably the most iconic one-shot sequence in the history of cinema, that phrase refers to the moment in Goodfellas when gangster Henry Hill (Ray Liotta) places his hand on the small of Lorraine Bracco's (Karen Hill) back and leads her, along with you, the audience, into the depths of New York's Copacabana nightclub via the back door. And with this scene being shot in one unbroken take, it was similar to a monologue in the lines an actor will have to learn. "It took a lot of memorisation and choreography and body control. but when the bell rings they are all alone, so we wanted to shoot this in one unbroken take to represent that. Speaking to the New York Times about his decision to capture the scene in that way, Coogler said: "This scene represents the boxer/coach relationship, the parental relationship. The camera circles the two men engaged in combat, drifting in, out and around, and the result is a dizzying, exhausting, relentless and claustrophobic display, everything you imagine boxing to feel like. Jordan’s Adonis Creed knocks Leo Sporino (Gabe Rosado) to the ground, you’ll be left wondering why every other screen fight in the history of cinema hasn’t been treated to the single-take format. After you’ve watched that magnetic two-round boxing match in Ryan Coogler’s Rocky spin-off, where Michael B.
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